Turn your samples
into
any track
in seconds

Adam Play is free, in your browser. It plays the tracks shared from Adam Studio: tap the players in and out on the beat, with a filter and effects on every player and a master chain across them. Adam Drummer is $19 once, for Mac and Windows: the Adam drum kit as an app of its own. Type the kit you want and the AI producer fills its eight pads from the best one-shots in your own library, and writes the drum pattern as MIDI, by genre. Adam Studio is the full version, $49: everything in Adam Play and in Adam Drummer, played from your own samples, plus the synth engine, the producer writing melodic parts as MIDI, eight players synced to one master, and sharing your tracks to Adam Play in one click.

The whole app, one payment, no subscription. The launch price is $49 until Tuesday 13 October, then $88; the full price is $150. Updates within the version you bought are included, and one licence runs on one computer at a time, Mac or Windows. Move it between your machines whenever you like, from inside the app or your account page.

Neither. You paste in your own key from OpenAI, Anthropic or Google and the prompts go straight to them, never through us, never metered, never marked up. A build is a handful of small text requests, not a stream of audio. The app also runs with no key at all: every control, the sequencer, the piano roll and the mixer work without one, and the producer agent is the part that asks for it.

No, and that is the whole idea. Adam Studio plays your folders: point it at the packs you already own and it listens through them, reading wav, aif, mp3, flac and ogg. Your crates stop being an archive you scroll and become an instrument.

Bring all of it. Point Adam at your Splice downloads, or any folder of packs however deep, and it walks every subfolder in the background while you keep playing, reading the tempo, key and instrument those files already carry in their names. Nothing is uploaded: the analysis never opens your audio to send it anywhere, and a bigger crate just gives the producer agent a better band to cast from.

It reads instrument, tempo, key, mood and loop-or-one-shot from every file in your library, then casts eight parts from your sentence: a drummer, a bass player, a harmony and a melody, written in parallel. Every part arrives with a crate of up to ten ranked alternatives; ‹ › walks them, so you are never stuck with the first pick.

Never. Only text leaves your computer, what you typed and the file names, and only to the provider whose key you entered. No audio is ever sent, and there is no code path in the app that opens a sample file to send it. Details in the privacy policy.

One master tempo and one master key, and every player conforms to both the moment you move them. Percussion is deliberately left out of the retuning: “the track is in F now” was never meant to transpose your kick.

Time-stretch keeps tempo and key independent: a loop changes speed without changing note. Pitch mode moves both together, like a turntable. Melodic parts land in stretch mode and drums land on the turntable, because on a drum the stretch is the thing you would hear. Either player can be switched by hand.

A full one, with velocity as the note’s own shade: ⌥-drag sets it, and it reaches the audio as a gain before the voice. The agent writes the parts; you edit them like any roll, with snap, grid, quantize, marquee select and undo.

Space is transport anywhere. ⇧⇥ opens and shuts the piano roll. The letter rows are a playable keyboard: A is C and the row above holds the sharps, with Z and X for the octave, and ⌘1 to ⌘3 for the three banks of eight. Inside the roll: S snap, G grid, arrows to move or transpose, ⌘D duplicate, ⌘Z undo.

Yes, on a Mac. The VST3 and AU plugins come in the same installer as the app, for the same $49. Install the .pkg, let your DAW rescan its plugins, and load Adam Studio as an instrument on a track, in Ableton, Logic or any VST3 or AU host. The whole app runs inside it and follows the DAW’s tempo and transport: press play in the DAW and Adam plays with it. On Windows the app is standalone for now; the VST3 follows in a later update.

Both directions. Send MIDI clock out to drive your gear, or follow clock in and Adam Studio takes its tempo, start, continue and stop from your gear instead. Play in from any MIDI keyboard, and what you play echoes out to a hardware synth. Mapping a controller’s knobs to parameters is on the Coming soon list.

Yes. Your interface’s inputs route to whichever players you choose, so a singer sits on one channel and a guitar on another, each through its own DJ channel. Takes record bar-synced, with a count-in, as audio or as MIDI.

No. Adam Studio is a one-time $49 purchase, not a trial and not a subscription. What stands in place of one is that everything on this page was measured and every screenshot is the real app — read the full workflow and the manual before you buy, and you will know exactly what you are getting. Our refund rules are in the terms.

Adam Studio does not guarantee any specific musical, creative, stylistic, or qualitative outcome. AI-generated results are inherently variable.

Press Buy Adam Studio. You sign in first, with Google or with a link we email you, and then pay $49 with PayPal or a card; no PayPal account is needed for the card. Signing in first is not a hoop: your licence key is issued in your name, to that address, and a key cannot be reissued to a typo. Your key and your download then live on your account page for good. Prefer crypto or a bank transfer? Email us from the checkout and we will send an invoice.

A Mac on macOS 11 Big Sur or later, Apple Silicon or Intel, or a 64-bit PC on Windows 10 or later. One licence covers either, one at a time.

No. It is a groovebox: building the track and performing it are the same act. Bounce to 24-bit WAV and finish wherever you already finish, or, on a Mac, run it inside that DAW as a VST3 or AU.